My two-dimensional work explores the scale and volume of emotion. Grounded in architectural principles of volumetry, proportion, and spatial construction, I approach the canvas not to paint shapes, but to build environments. These works function as psychological rooms—visceral, immersive spaces designed to be inhabited.

Light and shadow are my primary materials. Through them, I translate the often isolated movements of the psyche into expansive atmospheres, creating physical sites for emotions we typically carry in silence. Each painting becomes an act of creative excavation—stripping back the surface to reveal the raw, dramatic pulse beneath, where inner experience takes on spatial form and presence.